This is the first in a series of film reviews wherein I’ll be looking at works of cinema that were made when subversion—whether of expectations, morals, facts, or source material—was not the filmmakers’ objective.
They Don't Make 'Em Like They Used To
They Don't Make 'Em Like They Used To
They Don't Make 'Em Like They Used To
This is the first in a series of film reviews wherein I’ll be looking at works of cinema that were made when subversion—whether of expectations, morals, facts, or source material—was not the filmmakers’ objective.